British actors behave like Europeans; they are also extremely well trained.
I make movies just as painters paint: I work where I can.
When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies.
To do the writing, I have to have time to do research.
The financing of my films has always been international.
The French have got to understand that a film is so expensive that it can no longer afford to be regional or even national in scope.