Why must one talk? Often one shouldn't talk, but live in silence. The more one talks, the less the words mean. (Nana Kleinfrankenheim, Vivre Sa Vie)

We are in the twentieth or the twenty-first century, but all the thinking, if you speak to one of those people keen on technology - you see that all their thinking is two centuries old. In cinema, you can show this.

I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.

Hollywood was invented by hoodlums from central Europe. And today a Hollywood lawyer is not a hoodlum. He's a bureaucrat.

The observer and the universe are part of the same universe. It's what science discovered at the beginning of this century, when they say you can't tell where an atomic particle is. You know where they are, but not their speed; or you know their speed but not their place, because it depends on you. The one who describes is part of the description.

When I have a low budget I always try to make it a lesson in economy.

I've decided that what interests me most is that you can only capture the light at a certain time. But after that, five minutes after that, then it's a different thing. So if you don't have the right aperture, you've missed it. Of course, you can correct it in the lab. But not really.