Living, it can be sad too.

You can't transmit a landscape, happily enough.

If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.

You have to continue and discover the grammar of things, of what we can see.

Even with painting, even abstract paintings, you need the incoming of, light on the canvas.

I've decided that what interests me most is that you can only capture the light at a certain time. But after that, five minutes after that, then it's a different thing. So if you don't have the right aperture, you've missed it. Of course, you can correct it in the lab. But not really.

Cinema is movement, after all.