[Lost of the absolute] is in this sense that ''I no longer know what to do with my life" must be understood. Critics have been mistaken about the meaning of this phrase, seeing in it a cry of despair as in Simone de Beauvoir's "I have been cheated." When she uses this word it is to indicate that she claims from life an absolute which she cannot find there.

Like morality, literature needs to be universal. So that the writer must put himself on the side of the majority, of the two billion starving, if he wishes to be able to speak to all and be read by all. Failing that, he is at the service of a privileged class and, like it, an exploiter.

The appearance of the other in the world corresponds therefore to a congealed sliding of the whole universe.

Like all dreamers, I mistook disenchantment for truth.

Objects should not touch because they are not alive. You use them, put them back in place, you live among them: they are useful, nothing more. But they touch me, it is unbearable. I am afraid of being in contact with them as though they were living beasts.

In Les Mots I explain the origin of my madness, of my neurosis. This analysis may help the young who dream of writing.

Because we can imagine, we are free.