For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.

It is only in our decisions that we are important.

You must be like me; you must suffer in rhythm.

I clung to nothing, in a way I was calm. But it was a horrible calm—because of my body; my body, I saw with its eyes, I heard with its ears, but it was no longer me; it sweated and trembled by itself and I didn’t recognize it any more.

There is no salvation anywhere. The idea of salvation implies the idea of an absolute.

If you seek authenticity for authenticity's sake you are no longer authentic.

Once you hear the details of victory, it is hard to distinguish it from a defeat.