I think we're entering a new period of filmmaking that's analogous to switching from black-and-white to color, or from silent to sound. The medium is completely flexible, and it's not bound by anything. If you imagine something, you can do it.

There is a new philosophy for weapons: it's more expensive to hurt people than to kill people. It's terrible. When you have a band of guys on the battlefield, if someone is dead, he's dead. If someone is injured then they have to take care of him, so six people are busy.

I thought all I had to do was to buy a camera and become a film director. So when I left school I worked at a telephone company, which gave me the money to buy the basic equipment including the camera, the projector and the screen.

I love science fiction but I don't like fantastic [cinema]. For example, if you have a magical ring and you can explode the world with it. What are we talking about? You know, it's not interesting. I don't like Lord of the Rings. Even Star Wars, for me, I don't understand this kind of story. But Alien, because the rules of the game are very precise, it could happen. I love science fiction. I have an idea about robots in the future.

I've never made any concessions, so I am 100% responsible for my films. This makes me feel very proud.

In France, I am so free. I have more freedom than most American directors could dare to even imagine.

I write scripts by myself. It's not for everybody. It's someone's personal work. I need to be in love with the subject.