I feel when you walk into somebody's apartment on Fifth Avenue or house in Malibu and you see a Basquiat, a Warhol, a Richard Prince, you say to yourself, '$700,000, $2.2 million, $350,000...' To me that is completely uninteresting. I'd rather go to a house where there's great art and I have no idea who the work is by.

If I had done what I was programmed to do, I would now be sitting in a car factory looking at the sizes of wheels, or wondering how to get credit to start a new factory in Russia.

Obviously if you are an accountant, a criminal lawyer, a president, or a senator, or if you work in a funeral parlor, you have to wear a tie, but more and more people are wearing very casual clothes.

I think 'tradition' is in the past - and how can someone really 'fear' a color? A man may prefer navy to turquoise, but a self assured man could wear any color and he knows that. It's a distinction of confidence.

In the last 20 years of collecting contemporary African art, I have been bombarded by incredible shapes and colors that I now want to translate into clothes.

It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.

Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.