I feel when you walk into somebody's apartment on Fifth Avenue or house in Malibu and you see a Basquiat, a Warhol, a Richard Prince, you say to yourself, '$700,000, $2.2 million, $350,000...' To me that is completely uninteresting. I'd rather go to a house where there's great art and I have no idea who the work is by.

I feel when you walk into somebody's apartment on Fifth Avenue or house in Malibu and you see a Basquiat, a Warhol, a Richard Prince, you say to yourself, '$700,000, $2.2 million, $350,000...' To me that is completely uninteresting. I'd rather go to a house where there's great art and I have no idea who the work is by.

Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.

As a kid I collected stamps, pebbles on the beach, anything. I liked to have at least 10 of something.

For me to be pompous is the most horrible thing in the world. It's like putting a wall around you. It screws you up. You'd better be willing to change your views or adapt and be modern.

If I take pictures at a party, I never get bored.

The moment when I press the shutter is fantastic, orgasmic, so charged with the hope that this will be a great, original, interesting, and perfectly composed photo. But like any other exciting thing in life, it is usually spoiled by some ridiculous, unpredictable, and annoying detail.