But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.

After all this, what happened? What happened was that, as soon as I had the slightest chance of a place to hide in, I crept into it and hid. Well, sometimes it's a fine day isn't it? Sometimes the skies are blue. Sometimes the air is light, easy to breathe. And there is always tomorrow.

A room is, after all, a place where you hide from the wolves. That's all any room is.

She could give herself up to the written word as naturally as a good dancer to music or a fine swimmer to water. The only difficulty was that after finishing the last sentence she was left with a feeling at once hollow and uncomfortably full. Exactly like indigestion.

Would you like a whiskey?' I say. 'I've got some.' (That's original. I bet nobody's ever thought of that way of bridging the gap before.)

Age seldom arrives smoothly or quickly. It's more often a succession of jerks.

I am empty of everything. I am empty of everything but the thin, frail ghosts in my room.