I think of myself in a continuum as a woman. Two hundred years ago, it would have been very difficult for me to write at all.

Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body. Your morse code interferes with my heart beat. I had a steady heart before I met you, I relied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm, you play upon me, drumming me taut.

It doesn't have to be like that but mostly it is.

People do go back, but they don't survive, because two realities are claiming them at the same time. Such things are too much. You can salt your heart, or kill your heart, or you can choose between the two realities. There is much pain here. Some people think you can have your cake and eat it. The cake goes mouldy and they choke on what's left. Going back after a long time will make you mad, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different.

There is no discovery without risk and what you risk reveals what you value.

When I say 'I will be true to you' I am drawing a quiet space beyond the reach of other desires. No one can legislate love; it cannot be given orders or cajoled into service. Love belongs to itself, deaf to pleading and unmoved by violence. Love is not something you can negotiate. Love is the one thing stronger than desire and the only proper reason to resist temptation.

I think men can really get in the way when you are trying to sort your life out and get on with it. Because they just take up so much space. I'm not under any illusions that I could have been where I am now in literary terms if I had been heterosexual. I really believe I would not be.