There is no sense in loving someone you can never wake up to except by chance.

Great control and great discipline are necessary when you reach your own editing stage of the book, but in the early stages you have to be prepared to let anything happen and to get it wrong or go off track. The development of a character is not smooth or simple - it is as tricky as meeting someone new whom you would like to know better.

To tell someone not to be emotional is to tell them to be dead.

It’s better to think of my life like that— part miracle, part madness. It’s better if I accept that I can’t control any of the things that matter. My life is a trail of shipwrecks and set-sails. There are no arrivals, no destinations; there are only sandbanks and shipwreck; then another boat, another tide.

Creative work is incredibly difficult, and that is where the tests lie. Ordinary professionalism and twenty years' experience can accomplish a lot, but it can't access the hidden places. That still needs what it always needs - a condition of complete simplicity, costing not less than everything.

The Humans is a laugh-and-cry book. Troubling, thrilling, puzzling, believable and impossible. Matt Haig uses words like a tin-opener. We are the tin.

I struggled in my mind with all kinds of defenses. Should I be hurt? Surprised? Should I laugh it off? I wanted to say something cruel to expiate my anger and to justify myself. But it's difficult with old friends; difficult because it's so easy. You know one another as well as lovers do and you have had less to pretend about. I poured myself a drink and shrugged. 'Nothing's perfect.