Happiness is a specific. Misery is a generalization. People usually know exactly why they are happy. They very rarely know why they are miserable.

The truth is that you can divide your heart in all sorts of interesting ways - a little here, a little there, most banked at home, some of it coined out for a flutter. But love cleaves through the mind's mathematics. Love's lengthways splits the heart in two - the heart where you are, the heart where you want to be. How will you heal your heart when love has split it in two?

And if I say to you that I am glad of everything we have done together, and sorry that we will not be here together in forty years, laughing at a faded photo of you impersonating a lion, it having withered well, you less so, as we stand fabulously old, in a city that understands what spirit it takes to be old, to be beautiful, to be much looked at, to be itself, to be never quite caught, to have a past, to be content, to have seen much, to have remained, to have continued...

Your weak point is the open, vulnerable place where you can always be hurt. Love, in all its aspects, opens the self so fully.

Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.

We [fiction writers] are much more of a maze than we are a motorway. Things are always in flux, they're always in movement, they're always twisting back on each other. I think the straight line is such a lie.

I had been taught to look for monsters and devils and I found ordinary people.