You said, 'I'm going to leave him because my love for you makes any other life a lie.' I've hidden these words in the lining of my coat. I take them out like a jewel thief when no-one's watching. They haven't faded. Nothing about you has faded. You are still the colour of my blood. You are my blood. When I look in the mirror it's not my own face I see. Your body is twice. Once you once me. Can I be sure which is which?

Don’t you, when strangers and friends come to call, straighten the cushions, kick the books under the bed and put away the letter you were writing? How many of us want any of us to see us as we really are? Isn’t the mirror hostile enough?

I am getting much more political as I get older. It's the duty of any writer, in particular, not to stand back from the world.

Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become.

I drove to Oxford with my van full of petrol and tin cans, as I didn't know there were service stations on the motorway. I pulled up on the hard shoulder and got my cans out. Then I filled up and set off again. That's how naive I was - so much not a cosmopolitan girl.

In my subconscious, my books were part of a single emotional journey.

Of course, people will laugh at you, but people laugh at a great many things so there is no need to take it personally.