The rebellion of art is a daily rebellion against the state of living death routinely called real life.

Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.

The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.

I think every work of art is an act of faith, or we wouldn't bother to do it. It is a message in a bottle, a shout in the dark. It's saying, 'I'm here and I believe that you are somewhere and that you will answer if necessary across time, not necessarily in my lifetime.'

She hated being a nobody and like all children, adopted or not, I have had to live out some of her unlived life. We do that for our parents - we don't really have any choice.

As far as I was concerned men were something you had around the place, not particularly interesting, but quite harmless. I had never shown the slightest feeling for them, and apart from my never wearing a skirt, saw nothing else in common between us.

Going back after a long time will make you made, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different.