Islands are metaphors of the heart, no matter what poet says otherwise.

We don't go to Shakespeare to find out about life in Elizabethan England; we go to Shakespeare to find out about ourselves now.

I am much better at saying how I feel when I no longer feel it.

Literature offers us all, writers and readers, the best method of discovering and retelling the changing story of ourselves. The story is both journey and surprise. And as everyone knows, even the past is altered, depending on, not the facts, but the interpretation.

And when I look at a history book and think of the imaginative effort it has taken to squeeze this oozing world between two boards and typeset, I am astonished. Perhaps the event has an unassailable truth. God saw it. God knows. But I am not God. And so when someone tells me what they heard or saw, I believe them, and I believe their friend who also saw, but not in the same way, and I can put these accounts together and I will not have a seamless wonder but a sandwich laced with mustard of my own.

Where did love begin?What human being looked at another and saw in their face the forests and the sea? Was there a day, exhausted and weary,dragging home food, arms cut and scarred, that you saw yellow flowers and, not knowing what you did, picked them because I love you? In the fossil record of our existence, there is no trace of love. You cannot find it held in the earth's crust, waiting to be discovered. The long bones of our ancestors show nothing of their hearts.

Yes, the stories are dangerous, she was right. A book is a magic carpet that flies you off elsewhere. A book is a door. You open it. You step through. Do you come back?