She was a committed romantic and an anarcha-feminist. This was hard for her because it meant she couldn't blow up beautiful buildings. She knew the Eiffel Tower was a hideous symbol of phallic oppression but when ordered by her commander to detonate the lift so that no-one should unthinkingly scale an erection, her mind filled with young romantics gazing over Paris and opening aerograms that said Je t'aime.

I drove to Oxford with my van full of petrol and tin cans, as I didn't know there were service stations on the motorway. I pulled up on the hard shoulder and got my cans out. Then I filled up and set off again. That's how naive I was - so much not a cosmopolitan girl.

True stories are the ones that lie open at the border, allowing a crossing, a further frontier. The final frontier is just science fiction--don't believe it. Like the universe, there is no end.

Everyone who tells a story tells it differently, just to remind us that everybody sees it differently.

There is still a popular fantasy, long since disproved by both psychoanalysis and science, and never believed by any poet or mystic, that it is possible to have a thought without a feeling. It isn’t. When we are objective we are subjective too. When we are neutral we are involved. When we say ‘I think’ we don’t leave our emotions outside the door. To tell someone not to be emotional is to tell them to be dead.

I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.

I want to be an art-hero - I want to change the form of the novel.