I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.

I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.

I realized that all you have to do is state what you need and figure out how to get it, and be kind and help other people move forward. Check your jealousy, which is always present, and the threat of the younger generation coming forward as they must do.

The people who are going into music who hunger, they're going into pop music. There are some badass women who are ambitious and hungry and brave, and they're in pop.

I write to find out about how the world sings.

My daughter is my greatest gift and, not to be corny, but my greatest teacher.

I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work.