I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.

I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work.

I read a lot. I especially read memoirs and biographies. It's very helpful when you're thinking about what's possible and what exists in human behavior; if it exists out there then it can exist on the stage. I really try to go to a lot of concerts. A lot of live events. I just try to keep my ears really, really open.

I've been really opinionated my whole life. I was raised to be opinionated. I was raised to debate at the dinner table - my father demanded it - and you had to be able to debate in a confident and clear way.

My daughter is my greatest gift and, not to be corny, but my greatest teacher.

The people who are going into music who hunger, they're going into pop music. There are some badass women who are ambitious and hungry and brave, and they're in pop.

There was a period where I dressed sort of like a mechanic and I looked really schlumpy, and I thought, "This is not who I am. This is not who I want to be." It was a very important moment for me - to not hide.