Let's face it songs are about love, which is, I love you, I don't love you, come here, go away, I miss you, I don't miss you. I'm lonely. I'm not lonely. It's, it's all about affairs of the heart. And we can all relate to those.

Let's face it songs are about love, which is, I love you, I don't love you, come here, go away, I miss you, I don't miss you. I'm lonely. I'm not lonely. It's, it's all about affairs of the heart. And we can all relate to those.

We all have common emotions. And, and our experiences may not be all common but the emotions sure are.

Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.

As a song writer when I first was aware of the Beatles and started, you couldn't avoid hearing it, not that I, I tried. And what, what struck me was not so much the songs or the part of the songs that, that seemed unique to me were, was more melodic at the beginning than, than the lyrics because they were still talking about, you know, I love you, I don't love you and I need you or don't need you.

The British invasion certainly made a lot of noise in the record industry.

The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing.