You always hear people say that having kids changes everything, but you can't fully realize it until you have children yourself.

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.

Movies are like magic tricks.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

If you open your heart, then the object of your love becomes so precious because you are so open. And that philosophy, that caring, spreads.

I have my prized possession in my wallet. That's a photograph of the first words I ever uttered to my wife, and her answer to my question when I asked her, "Will you go out with me?"

Normally, after a movie, you know, you don't want to get up and do another one right away. That kind of pretend muscle or whatever you use making movies is kind of, you know, spent. And you have other things to do.