It's a wonderful metaphor, catching a wave, for how you can look at other challenges in your life.

Sticking with a marriage. That's true grit, man.

I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.

I've never been motivated by the award thing. There's a certain thing that this fame thing does that makes my job harder, in a way. I'm still working with that. I don't think about it too much until somebody asks me a question, and then I think about it.

I had a great '70s. I survived it, and that's always good news.

I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.

I've had really great experiences working with first-time directors. They come at filmmaking with fresh ideas. I've been very lucky that way.