When you start to engage with your creative processes, it shakes up all your impulses, and they all kind of inform one another.

It can kind of screw up things if you're trying to overwork something.

Basically, one of the hardest things about being an actor is getting your first break. I'm a product of nepotism. The doors were open to me. I'd done several movies before I decided what I wanted to do.

Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn't do it and this one had plenty of reasons "not to do it".

I hadn't talked to him in many, many years. He got a bad rap on "Heaven's Gate." I actually live in the hog ranch from "Heaven's Gate" in Montana. Mike Cimino gave me that set, the whorehouse, that's my house.

You liked the freshness of it, c'mon try it" and I said "oh God, I read it three of four times" and finally I said "all right, I want you guys to organize a reading and I want you to be there to see how terrible this is not going to work at all", so we had a table like this, and read the script, and it was just great.

This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.