Making films is sort of like you're pulling off a magic trick. It's sort of like an illusion. It's not real but you want it to appear real, and all kinds of things go into that, from the clothes you're wearing to the make-up, to the light.

I'm used to watching old movies of myself.

One in four kids in the U.S. faces hunger.

I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.

Generally speaking I would say I enjoy the smaller films more because there's a less sense of pressure and often the material is more unusual. But in "Iron Man" it was kind of like both worlds colliding because there was a lot of improvisation, not that we improv-ed in the scenes but to discover the actual scenes themselves.

Sometimes you'll have a movie that you're very proud of and you think it transcended all of your expectations but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.

Poverty is a very complicated issue, but feeding a child isn't.