I first got involved with ending world hunger, and I got hip to the facts about it - what a huge problem it was and how it wasn't a matter of not having food or not knowing how to end it, but it was a matter of creating the political will.

Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn't do it and this one had plenty of reasons "not to do it".

I hate it when there's a good movie, someone overhypes it and I'm disappointed that I don't like it more.

For me, growing up, the downside of it was that as a kid you don't want to stand out. You don't want to have a famous father let alone get a job because of your famous father, you know? But I'm a product of nepotism. That's how I got my foot in the door, through my dad.

I first got involved with ending world hunger, and I got hip to the facts about it - what a huge problem it was and how it wasn't a matter of not having food or not knowing how to end it, but it was a matter of creating the political will.

Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.

I confessed to Mike [Cimino] a couple of days before we shot. I was like, "What am I doing here, Mike?" And Mike just looked at me, in that very directorial manor, took a long pause, and he said, "You know the game tag?" And I said, "Yeah." And he said, "Well, you're it." That was some of the best direction I think I've ever received.