Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.

Normally, after a movie, you know, you don't want to get up and do another one right away. That kind of pretend muscle or whatever you use making movies is kind of, you know, spent. And you have other things to do.

If you're like me, I get hooked into to-do lists, you know. I'll say I checked that off. Okay, I did that. And you have all these things you're doing.

I had success as an actor relatively early. When I was 22, I got nominated for an Academy Award for The Last Picture Show, so that road, you know, had the least resistance. I was doing my music all that time, but it's pretty hard to turn down these great movie offers. And my father counseled me; he said, "You know, one of the wonderful things about acting is that you can incorporate all of your interests into the different parts you play." I'm glad I listened to the old man, because that's the way it turned out.

I hate it when there's a good movie, someone overhypes it and I'm disappointed that I don't like it more.

I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.

A fella who accepts himself and is relaxed into who he is - that appeals to people.