Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.

The more nervous you get, the more worried you get about something... Maybe you just need to take a nap.

All of this high-tech stuff is supposed to set us free and make life easier. To me, it makes it more difficult and demanding.

I've done movies in the past that have so many characters and I find it's very hard to follow all these stories. You end up not caring about any of the people and I thought that would be the case in this film, and you had these big speeches for each character, you know, it's like "God that's how you'll have to cut that down in order to paste it all", to edit the movie and my representatives could say "no, you really you ought to check it out.

My wife holds the kite strings that let me go 'weeeeeee', then she reels me back in.

One of the tough things about being an actor, probably the hardest thing, is getting your foot in the door, and my father handled that for me at a very early age. It's funny, I get an image of the thing with eggs and chickens where, when the egg is getting ready to hatch, the little chicken will start to peck at the shell a little bit, and the mom will hear that and start to peck at the shell from the outside, and they're both kind of working together.

There's kind of a Zen aspect to bowling. The pins are either staying up or down before you even throw your arm back. It's kind of a mind-set. You want to be in this perfect mind-set before you released the ball.