I remember when I was a kid, with the acting thing, I resented it because, you know, you don't want to do what your parents want you to do. You got your own things. And the whole idea of getting a job because of who your father is - that didn't feel right. But after a while I guess I figured I must be doing something right, because people wouldn't keep hiring me if I didn't have something to give.

Yeah, I loved Ray Bradbury.

Sometimes you feel you're making something really special and when it comes out you might still feel that way but for some reason it doesn't get the audience. So many things have to come together to get a creatively successful and financially successful film.

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.

Normally, we push away the things we're scared of.

With a labyrinth, you make a choice to go in - and once you've chosen, around and around you go. But you always find your way to the center.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.