Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.

I really enjoy fusing text and music.

In the original novel [ Anthem], the story unfolds in the mind of a single character. Maybe that's why Ayn Rand called the work a poem.

Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene.

I certainly did my best to bring the story [Anthem] to life in another medium.

I think a successful adaptation rises or falls on the work presented. If people need to read the book to understand the play, I didn't complete the job.

Who can I marry? Where can I live? What kind of career can I achieve? These are just some of the stories breaking with Anthem-like implications. And the ideas crushing the individual are all around us, chipping away at us constantly.