Every actor just wants good writing.

I learned a long time ago that the show you're going to see isn't the one you have in your head. As soon as you understand that, you're going to enjoy it a lot more.

I think we have the attention span of a gnat. You know, with cell phones and Twitter.

We've got a pretty close family. Just ended fourteen years of travel hockey with two boys. My daughter was always a part of that. So there's a lot of trips to the hockey games. As I tell idiotic, stupid, youth-sport parents, it's about the drive there and the drive back, not about the trophy or how your kid played. We've always had a good relationship with our kids. You're driving with them and talking to them at the age of eight. It became this adventure and they learned to love it. You connect, you really do. It's not for every family.

The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.

I just never did buy this idea that you have to live in Los Angeles to be an actor. I didn't see that as a requirement in my job description.

I never starved. And you know, whatever talent I have, I've relied on that, versus image or star. I have just said, 'Hire me if you want somebody good.' I tried to be as good as I could be every time out, and that's kind of bridged the decades.