Actors don't necessarily want to be famous or rich or anything else. It's a very bad gamble if that's what you're after.

At the end of the movie all of us have this shared redemption.

Even if I don't have a job, I work on plays and scenes.

I like a pickled cucumber. A regular cucumber I'm not so interested in.

Going back to the noir fiction of the 30s, 40s and 50s. It's very contemporary.

I like little collaborations where the other thing happens, where it's half-baked or it's improvised, and let's develop it together. "What do you want to wear? Do you have an idea?" All that's fun to do, and I like that, but it doesn't take anything away.

I like how time goes on set. It's almost like time on an airplane or something where people are together. It's a different, very trippy kind of time, I find, because you're together in imaginary time where you're out of time. You're called upon to be present and honor what can happen in the moment. And the whole day can go like that. The whole day can be a kind of meditation.