Amazing tradition. They throw a great party for you on the one day they know you can't come.

Going back to the noir fiction of the 30s, 40s and 50s. It's very contemporary.

You want to be in a movie where your part works. That's the main thing. No matter how you beat yourself working on the thing, if it doesn't work, it doesn't work.

I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.

I'm always interested in craft and I was interested to see how people work. For me, it's a little like lessons at school.

It's best not to stare at the sun during an eclipse.

In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.