I'm always working. If I'm not in my studio I become quite nervous.

I'm interested in power.

The moment we live in is a great time to make art. We have different technologies to play with, and we're left with the opportunity to focus on our work.

I produce a lot of my artwork in Germany.

I like my drawings to be direct. I don't generally work on them for too long, but that doesn't mean that they are not works in their own right.

I spend much more time looking at art history and at different references to art than I do at actual objects.

I'm interested in power. I'm interested in the kind of polarities and equilibriums that take place within sexuality and philosophy and sociology. So in Versailles, in this type of setting, you have a place that is about absolute control, where everything has been thought about.