If you have a craftsman's command of the language and basic writing techniques you'll be able to write - as long as you know what you want to say

Collins masterfully blends fact and fiction...transcends the historical thriller.

Ideally, I like to integrate the human issues into the suspense story itself.

And life changes. Maybe just a little, maybe a lot. And at some point, it just isn't worth the fight to fix it.

Robert Rotenberg does for Toronto what Ian Rankin does for Edinburgh.

For me a thriller is a very carefully structured story.

I write pretty much anywhere - on planes, in hotel rooms, anywhere in my house.