Art dealing is when you're doing it as a business.

Graffiti doesn't exist unless someone got a photo, because it's gone immediately.

There is a constant ebb and flow in art historical reputations. The reputation of even the greatest figures like Picasso are in flux.

Many of the museum directors who make an impact personally curate exhibitions.

I want to use whatever connections to get a super-outstanding Basquiat in the White House. It could be one of mine. It could be something that a friend owns.

What I hope is I'll eventually be seen as an actual individual, not as some abstraction - an art dealer running a museum.

I believe that an art exhibition can be engaging, fun and deeply intellectually satisfying and serious. These are not contradictory concepts in art.