I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.

Capitalism has resulted in material well-being but spiritual bankruptcy.

Bubble gum angels swooped from top margins or scraped their wings between teeming paragraphs, maidens with golden hair dripped sea blue tears into the books spine, grape-colored whales spouted blood around a newspaper item (pasted in) listing arrivals to the endangered spieces list. Six hatchlings cried from shattered shells near an entry made on Easter. Cecilia had filled the pages with a profusion of colors and curlicues, candyland ladders and striped shamrocks.

In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.

We Greeks are a moody people. Suicide makes sense to us. Putting up Christmas lights after your own daughter does it--that makes no sense. What my yia yia could never understand about America was why everyone pretended to be happy all the time.” -Mrs. Karafilis

I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.

One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.