But in the end it wasn't up to me. The bigs things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we're born.

The ideas for my books come about in two ways. There can be an intellectual idea that seems to be the reason for writing the book. [...] The other motive is unconscious. There is something deeply psychological and emotional that draws me to the material in the first place.

Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.

In the end, it wasn't death that surprised her but the stubbornness of life.

Is there anything as incredible as the love story of your own parents? Anything as hard to grasp as the fact that those two over-the-hill players, permanently on the disabled list, were once in the starting lineup? It's impossible to imagine my father, who in my experience was aroused mainly by the lowering of interest rates, suffering the acute, adolescent passions of the flesh.

She lost much of her appetite. At night, an invisible hand kept shaking her awake every few hours. Grief was physiological, a disturbance of the blood. Sometimes a whole minute would pass in nameless dread - the bedside clock ticking, the blue moonlight coating the window like glue - before she`d remember the brutal fact that had caused it.

Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly