There's two kinds of women--those you write poems about and those you don't.

I realise there's something incredibly honest about trees in winter, how they're experts at letting things go.

I want to whisper poetry into your mind and imprint love letters to your soul and dance with you in an empty white room of potential

I want to rip off your logic and make passionate sense to you. I want to ride in the swing of your hips. My fingers will dig in you like quotation marks, blazing your limbs into parts of speech.

If you heard your lover scream in the next room and you ran in and saw his pinkie on the floor, in a small puddle of blood. You wouldn't rush to the pinkie and say, 'Darling, are you OK? ' No, you'd wrap your arms around his shoulders and worry about the pinkie later. The same holds true if you heard the scream, ran in and saw his hand or -god forbid- his whole arm. But suppose you hear your lover scream in the next room, and you run in and his head is on the floor next to his body. Which do you rush to and comfort first?

When I haven't been kissed in a long time, I create civil disturbances, then insult the cops who show up, till one of them grabs me by the collar and hurls me up against the squad car, so I can remember, at least for a moment, what it's like to be touched.

We didn’t deny the obvious, but we didn’t entirely accept it either. I mean, we said hello to it each morning in the foyer. We patted its little head as it made a mess in the backyard, but we never nurtured it. Many nights the obvious showed up at our bedroom door, in its pajamas, unable to sleep, in need of a hug, and we just stared at it like an Armenian, or even worse— hid beneath the covers and pretended not to hear its tiny sobs.