I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.

Carlos Castaneda always said, "If you're going to do something, do it impeccably."

With Hellboy I am doing a comic-book movie. That's what's so great about being an actor: You get to do Meet Joe Black, and you get to do Arrested Development, and then you get to do Hellboy and Eloise, and The Sponge Bob Square Pants Movie. It's great. You get to play the field.

On the other hand, we don't come to work with all of these social goals, nor are we directly trying to change the world and all of that. Our job is that we have these human characters, and it's our responsibility to play them truthfully and as human as possible. Jill has cast this impeccably. These actors nail it, even the non-Pfeffermans. It's ridiculous.

I loved Hank Kingsley. He was very real to me. There was just something about that character. I really believed him. I didn't think he was a buffoon. I understood the inner workings of him, so I sort of felt sorry for him, the poor guy. He was very important to me.

That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.

I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."