I had a lot of questions where I had to be very frank and clinical. I had to go to school on it about what it could mean physically to be trans and the options that have to be weighed and considered. But I love that. Exploring that opens my worldview in ways that I would never be able to try.

I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."

That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.

I thought that the hardest part would be the external - would be the - oh, nails and the hair and the makeup and the dress and the heels and the blah, blah, blah, blah, blah. And actually, that wasn't the hardest. That was very, very, very easy for me, and I liked it.

I think your resources are feeling. Your resources are depth. Your resources are learning. Your resources are touching and feeling. And for me, sobriety helps and aids all of that.

Everyone has to do the same work as actors - I teach acting. But there are those people who come on, and there's just something about them in and above themselves that has to do with chemistry and electricity - this aura about them. And that's unmistakable. Do I have that? Yeah, I think I have that.

Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.