I think my immediate reaction was, "I'm so tired. I need a little more time." But, it was very quickly followed up by excitement. It's very flattering, and it's a wonderful vote of confidence. We dream of getting to do what we do.

Even during the casting process, the pools of talent are so deep when you have a call for Latin women or black women or a middle-aged woman because they never get their shot. There's so much talent there.

I begged her to write a song and she said yes. I am a huge Regina Spektor fan. I think she's a genius and just a lovely soul, and I wanted her voice on it. And she agreed, which is just the coolest thing, ever. She knocked it out of the park.

Piper reads the scripts, and we email a lot. Most of her comments are on the more technical side, like "This wouldn't happen. This is against the rules." She's been extremely respectful of our taking her story, and then veering left with it and taking it in its own direction. But, I always want her involved because she's the mother of all this.

First of all, I find everything funny, which is upsetting to my children sometimes, and to people in my life, in general.

I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.

We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.