But if I had my way, there would be so much more, in everything. It's so vital and integral in life, and it should be reflected in what we're watching, if we're reflecting our experiences. And it's hot. I love the sex stuff, and I want more.

I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.

As long as there are still interesting stories and still interesting people that we want to meet, I can keep it going. But, we all have to be invested. If the room starts getting bored or I start getting restless, then we'll either have to change something in the show or maybe end it.

Even during the casting process, the pools of talent are so deep when you have a call for Latin women or black women or a middle-aged woman because they never get their shot. There's so much talent there.

You want everyone to be a full character. No one is just evil, or very few people are, hopefully. They're characters, so you want to flush them out. You've got to show all sides of them. There is definitely an antagonistic relationship between guards and prisoners, and I do think it flares up.

I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.

But, I like the challenge of, "How can we stretch this out? Where can we go with it?" It's an open road, especially at Netflix. You can take it anywhere you want.