To be able to be there first, I love the pioneer thing. It's exciting to me. And they pay full rate, they're really nice, they support the work, and they said yes. What could be bad? It's the Wild West. You can do what you want.

You want everyone to be a full character. No one is just evil, or very few people are, hopefully. They're characters, so you want to flush them out. You've got to show all sides of them. There is definitely an antagonistic relationship between guards and prisoners, and I do think it flares up.

We fell in love with different people. Looking back, we might have done it in a different order, but we got invested. We really wanted to do the flashbacks because we wanted to explore who these women were on the outside versus the inside, and get a fuller picture of the masks we wear.

The oppression of it, the sense of helplessness, and really being part of a system and a bureaucracy that is arbitrary. I never thought of the depth of losing your freedom and what that meant. And I was surprised and delighted by ways people maintain their humanity and try to survive.

I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.

It was enormously challenging because you want that all-American girl, but you also want the cool WASP, privileged white girl. Usually, women in that package aren't funny.

There's more to us than the moment we made a bad decision.