With "The Office," they said, "We don't want anyone we recognize, so give us unknown actors," and I think that was the break that I needed. Because I went in and I got the role.

As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.

I'm not prepared for a zombie apocalypse. I need more bottled water, a shotgun, and stronger abs. I have plenty of canner food.

I've been really lucky. I didn't have any morning sickness and I've been off work for most of my pregnancy, so I've been able to do things like work out with a trainer and do prenatal yoga and all these things that have kept my body very agile and pain-free.

It's so easy to disappear into your character because there isn't all this fuss around you, and we keep a closed set, and closed off to all crew members, even, unless we're cut. A lot of times, you're doing a scene in a movie and there are literally 35 people standing behind the camera all waiting to do their job, but here they have to be off the stage. On The Office, it is very much just the actors, a cameraman and a boom operator, like a real documentary, like we really are being documented.

I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.

I always worry that people are going to be very confused; sometimes timelines get confused with how movies get made. So when I say, "Oh, I made this movie when I was going through a divorce," people think, "Oh no! She's pregnant with a child and divorced?"