I knew there was something I had to do yesterday. I couldn't remember what it is. I can't figure it out. I know it's a holiday. I know I don't have a meeting. It's very confusing.

It looks like a marathon. And I'm proud that I'm not a DNF (did not finish). I'm not a DNF yet. I just kept going. I think that's been the key is just to keep going and really try to get better and try to be as truthful as I can and hope that good things come my way.

It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.

Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch.

I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

I think that the two of them have been doing this for a really long time and it is more like sport. Yes, they would love to find a lasting relationship, but it's not likely to happen the way they are going about it.