Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

By annihilating somebody else in whatever way, then that person feels that they also have the ability to, then, restore the person.

It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

Giving feels good. It is a form of healing. Not just for you as an individual, but for everyone.

I think the central metaphor of the movie is this notion of what the advertising industry does. In order to make someone want to buy something, they first have to make them feel bad about who they are in order to sell them that thing which will make them whole again, and happy again.

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch.