Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

I knew there was something I had to do yesterday. I couldn't remember what it is. I can't figure it out. I know it's a holiday. I know I don't have a meeting. It's very confusing.

It became very clear to the director that it would be foolish not to use our friendship. I had tried to talk to him about it because all the relationships in the film are so, not negative, but antagonistic. There's not a lot of love going around.

It looks like a marathon. And I'm proud that I'm not a DNF (did not finish). I'm not a DNF yet. I just kept going. I think that's been the key is just to keep going and really try to get better and try to be as truthful as I can and hope that good things come my way.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.

Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.