I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch.

I'm just talking specifically of women's friendships. If two women go to a bar and they are fighting over men, it makes it much easier for the men. If two women are very close and they act as it makes it very difficult for the men to pull one over on anybody.

It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.

I said, wouldn't it be nice, instead of having these women fight with each other over men, which seems to be more of a cliche, wouldn't it be wonderful if they were the true comrades and it took these men much more time to infiltrate their friendships.

I knew there was something I had to do yesterday. I couldn't remember what it is. I can't figure it out. I know it's a holiday. I know I don't have a meeting. It's very confusing.

By annihilating somebody else in whatever way, then that person feels that they also have the ability to, then, restore the person.