The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.

Even when I think about the fact that energy can become matter and matter can become energy, I have a very strong feeling that there's something afterward.

Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

My husband does so many romantic things for me, it's absurd.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

I said, wouldn't it be nice, instead of having these women fight with each other over men, which seems to be more of a cliche, wouldn't it be wonderful if they were the true comrades and it took these men much more time to infiltrate their friendships.

Of course, the surest way to free yourself from an existential crisis is through comedy.