The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.

Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

It's been perfect. I can still ride a subway and work with great people. I can't imagine being Julia Roberts. I don't have the fortitude to withstand that kind of attention.

Giving feels good. It is a form of healing. Not just for you as an individual, but for everyone.

I said, wouldn't it be nice, instead of having these women fight with each other over men, which seems to be more of a cliche, wouldn't it be wonderful if they were the true comrades and it took these men much more time to infiltrate their friendships.