Ignorant people, whispering cruel rumors, her mother whispered. Pay them no mind.

Sometimes the most ordinary things are the ones we learn to miss the most.

In my contemporary stories, I write about today's quilters, inventive techniques they use, and how technology has influenced their art. Novels set in the past let me have fun researching patterns that were popular and fabrics and tools available to quilters through history.

What I would give, I thought, to have been present as Elizabeth Keckley measured Mary Lincoln for a new gown, to overhear their conversations on topics significant and ordinary, to observe the Lincoln White House from such an intimate perspective. From that moment, my interest in their remarkable friendship was captivated, and it never really waned.

For as long as I can remember, I've always been interested in issues of social justice, political freedom, and civil rights.

Kate Forsyth’s Bitter Greens is an enthralling concoction of history and magic, an absorbing, richly detailed, and heart-wrenching reimagining of a timeless fairytale.

I wanted to write about women and their work, and about valuing the work we, as women, choose to do. Too many women I knew disparaged their work. Many working mothers thought they ought to be home with their children instead, so they carried around too much guilt to enjoy much job satisfaction.