My father had put these things on the table. I looked at him standing by the sink. He was washing his hands, splashing water on his face. My mamma left us. My brother, too. And now my feckless, reckless uncle had as well. My pa stayed, though. My pa always stayed. I looked at him. And saw the sweat stains on his shirt. And his big, scarred hands. And his dirty, weary face. I remembered how, lying in my bed a few nights before, I had looked forward to showing him my uncle's money. To telling him I was leaving. And I was so ashamed.

But words are more powerful than anything.

Writers are damned liars. Every single one of them.

She was his soulmate, as much a part of him as the very flesh and bone that made him. She was with him, in him, in everything he did. She was everything he wanted from his life, the very measure of his dreams.

And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.

Her grey eyes sparkled with passion as she spoke. Sid looked into them and for a second he glimpsed her soul. He saw what she was - fierce and brave. Upright. Impatient. And good. So good that she would sit covered in gore, shout at dangerous men, and keep a long, lonely vigil - all to save the likes of him. He realized she was a rare creature, as rare as a rose in winter.

Yeah. Sure. My brother's dead. My mother's insame. Hey, let's have a crepe.