I really don't feel that writing is therapy.

Idea of the generations continuing is really important. And that's interesting to me. I write about families; I'm interested in families. Even though I think a family can be just two people or two people and a dog, I really wanted children for that reason.

It would be a lie to say that people are coming to adoption with joy at all times. Hope, perhaps, but it would be disingenuous to say that every part coming to an adoption isn't seriously grieving.

I feel like if writers used writing as therapy we'd have a ton of happy writers.

As writers, we don't just need to write about poverty or war or the immigrant experience.

The process of open adoption is not discussed in the way it should be. Everyone I know who has adopted domestically has at least one tragic story. It was important to me to be able to describe those situations.

I think publishing's strength is also its weakness. It's got such a rich and celebrated history as an industry. For the most part, publishing people are incredibly creative, business is done based on the strength of relationships, and the product being peddled is books.