People equate success with youth. And if you haven't had a certain amount of success by a certain time in your life, it's never going to happen. There's a fear about that. So people start lying about their age really young. I've never done that because I think it's so insignificant.

Writing, producing and directing, I must say, is incredibly satisfying and gratifying.

It usually takes about two and a half weeks after you're done filming where you kind of return to yourself again.

You try to find the internal life, but a lot of it is creating it through physical behavior and figuring out the voice when you create as much of a past as you would in a naturalistic piece. But it's fun, because it's like you're learning something, learning some kind of physical skill.

There's so much confidence and freedom that comes from that way of doing things. Robert Altman and Alan Rudolph make the set the place to be. It's fun. It's a kind of creative freedom that's really inspiring. Altman loved actors so much. He was a great mentor for me, really.

Even if the role is very far away from me, to try and make it as nakedly me as possible is an intriguing notion.

I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.