I love improv-ing, you know, from very early on when I started acting the school that I went to and everything was very big on ad-libbing and improv-ing and messing things up, so I feel very comfortable doing stuff like that.

I think that's very important for romantic comedies, that they do deal with [modern]issues.

Obviously no parent does everything right. It's this weird thing that happens where you are striving to be as good as you can be so that they turn out well. And that requires that you be a really great, evolved, aware person in every moment. Which is pretty awesome. But it's also putting tremendous pressure on yourself--which is why women feel so guilty!

I always knew I wanted to be a performer, and my mother started taking me to dance classes when I was five. My mother is a teacher, my father works at an insurance company. When I said I wanted to be a performer, people went, "Yeah, right." You don't do that where I come from.

In the past, love for me has always meant forever, and sure, you still nurse some of those fantasies, but I don't try to force it anymore. I hung on to my fairy-tale ideals for a long time. But where I am now, what I've been through, there are no rules. There are lots of ways it can turn out.

A romantic comedy has to be funny and make you think about life; but the obstacle that has to be overcome is key.

As you get older and as you experience and go through different things you realize you have to set boundaries. You have to for your life. You have to say this is OK and this is not OK. This is what I do for a living and this is my life. It's the only one I get and so I have to set boundaries.