As the days piled up into weeks, and the weeks turned into months, and fall slid into winter, I realized one of the great truths about tragedy: You can dream of disappearing. You can wish for oblivion, for endless sleep or the escape of fiction, of walking into a river with your pockets full of stones, of letting the dark water close over your head. But if you've got kids, the web of the world holds you close and wraps you tight and keeps you from falling no matter how badly you think you want to fall.

Head's all empty, I don't care,' he'd sing to me, quoting the Grateful Dead, and I'd force a smile, thinking that my head was never empty and that if it ever was, you could be darn sure I'd care.

...thinking that the world was like an orange, that I could split it open with my thumbnail and find a whole different world, the grown-up world, the secrets beneath the skin.

My lazy, unfair assumption is that everything's easier when you're young and stunning. And maybe it is! But I'd like to see for myself.

Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.

I didn’t feel anything but a bone-deep weariness. Like I was suddenly a hundred years old, and I knew at that moment I would have to live a hundred more years, carrying my grief around like a backpack full of stones.

It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.